Sleeping Kikyo — Inuyasha
$289.00
Out of stock
Product Status: Pre-Order Close
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INFORMATION
INFORMATION
Dimensions
- Height: approx. 43 cm / 16.9 in
- Width: approx. 36 cm / 14.2 in
- Depth: approx. 28 cm / 11.0 in
Configurations
- Scale: 1/6
- Base: Sculpted gnarled tree root with moss and scattered autumn maple leaves
- Effect Parts: Multiple translucent Soul Collector (Shinidamachu) figures in icy blue — shown in flight and coiling positions around the figure
- Robes: Layered white kosode and red hakama with dynamic fabric flow sculpted mid-movement
Material & Packaging
- Material: Full PU (polyurethane resin) — master mold produced via red wax printing for fine surface texture retention throughout
- Packaging: Not specified
Other
- Studio: MIMO Studio & Exorcism Studio
- Series Note: This is the first S+ tier Kikyo piece from this collaboration
- Estimated Shipment: Early Q4 2026
VIDEO
ABOUT
Sleeping Kikyo captures the resurrected priestess in a rare moment of stillness — eyes closed, robes caught mid-drift, her Soul Collectors spiraling around her against a gnarled autumn maple base. Built at 1/6 scale by MIMO Studio and Exorcism Studio, the entire master mold was printed in full PU red wax, preserving surface texture that standard casting methods tend to soften. For collectors who have been waiting on a Kikyo piece that matches the melancholy weight of the character, this is the one that finally does it.
CHARACTER ORIGIN
SCENE NOTESThe piece locks onto the version of Kikyo that is hardest to render in statue form — not the archer mid-draw, but the undead priestess in a suspended, almost dreamlike stillness, her Soul Collectors orbiting her like a slow ritual rather than a battle. That quiet is exactly what makes her post-resurrection arc so unsettling: she exists between worlds, neither fully alive nor at rest. MIMO Studio and Exorcism Studio lean into that ambiguity by posing her with eyes closed and robes drifting as though moved by something other than wind, while the translucent blue Shinidamachu trace looping arcs around the composition — keeping the energy of the piece in constant, unhurried motion. The twisted autumn maple anchors everything, its bare roots and crimson leaves framing her as something the world has already moved past, but cannot quite let go of.
