Seated Emily — Resident Evil Requiem
Price range: $39.00 through $249.00
Character: Resident Evil · Emily
Product Status: Pre-Order · Estimated to ship Q4 - 2026
Rewards: Up To Earn 2,490 Crystals With This Purchase. Learn More
Shipping: Billed after arrival based on packed size and destination. Learn More
ABOUT
ABOUT
This is FloatingLight Studio x WuMai Studio’s hyper-realistic collectible rendition of Seated Emily from Resident Evil Requiem, capturing her in the worn armchair of her isolation ward — white nightgown, bare feet, one hand raised softly to her chin. Available in both 1/6 and 1/4 scale, the piece earns its place through photorealistic skin gradients, strand-level hair sculpting, and a fully realized environmental base that reads as a complete diorama rather than a simple figure mount. The tonal restraint and sculptural precision make this one of the more quietly unsettling pieces the RE collector space has seen.
INFORMATION
INFORMATION
Dimensions
- 1/6 Scale — Height: approx. 15 cm / 5.9 in
- 1/4 Scale — Height: approx. 23 cm / 9.1 in
Configurations
- Standard Version (1/6 and 1/4): Emily figure seated in worn armchair base, white nightgown costume, bare feet, hand-to-chin pose
- Bonus Item: Available as a separate purchase — sold independently from the main figure
Material & Packaging
- No material or packaging details were provided for this product.
Other
- Studio: FloatingLight Studio x WuMai Studio
- Series: Resident Evil / Biohazard — Realistic Collectible Series, Entry No. 003
- Estimated Shipment: Q3–Q4
VIDEO
CHARACTER ORIGIN
SCENE NOTES
The pose locks onto Emily’s existence inside the Rhodes Hill Chronic Care Center — isolated, confined, and largely untouched by the horror unfolding around her, which is precisely what makes her so affecting in the source material. FloatingLight Studio x WuMai Studio chose stillness as the visual language here: the slightly inward posture, the hand barely touching the chin, the bare feet resting on nothing — it reads as someone who has learned to occupy space very quietly. The decayed armchair and peeling-wall environment are sculpted as part of the piece itself, not as afterthought props, and the near-monochromatic palette — white hair, white gown, pale skin against a bleached ruin — reinforces the sense of a figure who exists slightly outside the world she inhabits.
