Reclining Rapi — Goddess of Victory: Nikke
$159.00
Character: Goddess of Victory: Nikke · Rapi: Red Hood
Product Status: Pre-Order · Estimated to ship Q3 - 2026
Rewards: Earn 1,590 Crystals With This Purchase. Learn More
Shipping: Billed after arrival based on packed size and destination. Learn More
INFORMATION
INFORMATION
Dimensions
- Not specified
Configurations
- Included: Main figure — Rapi in reclining pose with glasses and black headset
- Base: Dark tabletop surface with stacked books, assault rifle prop, and shoulder bag beneath
- Costume: White micro-strap bikini with purple geometric accent pieces
Material & Packaging
- Material: Imported resin and imported PU (polyurethane; commonly used for flexible or softer sculptural elements alongside rigid resin casting)
- Packaging: Illustrated color box with EPE foam (dense protective foam used for statue shipping) and kraft paper outer box
Other
- Scale: 1/6
- Studio: YaoMengMeng Studio
- Estimated Shipment: Q3 2026
VIDEO
ABOUT
YaoMengMeng Studio’s 1/6 scale piece captures Rapi in a languid reclining pose — red hair fanned out, black headset on, square-frame glasses catching the light, and that signature composed half-smile directed straight at you. The sculpt leans into skin-texture fidelity and the subtle sheen of her minimal white strapping, while the base integrates her assault rifle, a bag, and stacked books to ground the display in her off-duty world. It’s a rare relaxed read on a character usually rendered in combat stance, and that contrast is exactly what makes it land.
CHARACTER ORIGIN
SCENE NOTESYaoMengMeng Studio frames this as an original off-duty interpretation — Rapi stripped of her tactical gear and set down on a desk, one leg extended skyward, the other folded beneath her, in a pose that trades combat readiness for deliberate ease. The choice to keep her headset and glasses intact is a smart one: those two details are enough to lock the read without needing the rifle in hand. The assault rifle, bag, and books arranged below the tabletop edge work as environmental storytelling, suggesting a moment between missions rather than a world without them. The direct eye contact built into the portrait — that quiet, measured look — is very much Rapi, and YaoMengMeng leans on it as the emotional anchor of the whole composition.
