Melancholy Asuka Langley Soryu
Price range: $229.00 through $409.00
Character: Neon Genesis Evangelion · Asuka Langley Soryu
Product Status: Abandoned Production
INFORMATION
INFORMATION
Dimensions
1/6 Scale
- Height: 17.9 cm / 7.0 in
- Width: 16.2 cm / 6.4 in
- Depth: 16.2 cm / 6.4 in
1/4 Scale
- Height: 29.5 cm / 11.6 in
- Width: 26.6 cm / 10.5 in
- Depth: 26.6 cm / 10.5 in
Configurations
- Base: Full gothic baroque armchair base with carved dark-wood frame detailing
- Figure: Asuka seated, dark bustier with frilled lavender skirt, dark thigh-high stockings, dark ribbon choker
- Scale Options: Available in 1/6 and 1/4 scale
Material & Packaging
- Material: PU (polyurethane resin, a cast resin commonly used in GK statue production for fine surface detail and paint adhesion)
- Packaging: Not specified
Other
- Studio: Bust Studio
- Estimated Shipment: Q4 2026
VIDEO
ABOUT
Melancholy Asuka Langley Soryu captures her seated in a deep-crimson baroque armchair, expression cool and inward — the rare stillness that cuts harder than any battle pose. Bust Studio delivers this original concept in both 1/6 and 1/4 scale in PU, with the armchair base sculpted in full gothic-carved detail that frames the figure as a complete display object. The contrast between the ornate throne and her quietly guarded gaze is exactly what makes this piece earn its shelf space.
CHARACTER ORIGIN
SCENE NOTESThis is Bust Studio's original design concept titled "Melancholy" — an interpretation of Asuka in a moment of unguarded quiet rather than combat tension. The choice to seat her in a heavily carved baroque throne plays the visual contrast deliberately: the grandeur of the chair against the subdued, almost withdrawn quality of her expression and posture. Her gaze is directed slightly downward and away, hands resting near her knee, which reads less as composure and more as containment. Bust Studio leans into the gothic aesthetic of the chair's dark carved frame and deep crimson upholstery to amplify that emotional undertone, making the armchair as much a part of the character statement as the figure herself.
