Kira’s New World — Light Yagami & Ryuk
$609.00
Out of stock
Character: Death Note · Light Yagami, Ryuk
Product Status: Pre-Order Close · Estimated to ship Q4 - 2026
Rewards: Earn 6,090 Crystals With This Purchase. Learn More
Shipping: Billed after arrival based on packed size and destination. Learn More
ABOUT
Dreammaker Studio’s Kira’s New World places Light Yagami at the center of his self-declared dominion, standing composed in his school blazer while Ryuk looms behind him with wings fully spread — the shinigami as both shadow and silent judge. At 60 cm tall across a cathedral-scale base, the piece pairs a PU and imported resin build with dual-mode LED lighting that pulses through the crimson hellfire base, making the piece read entirely differently in a lit room versus a dark shelf. Limited to 128 pieces, this is a dual-character diorama that commits fully to the series’ visual mythology rather than settling for a single-figure portrait.
INFORMATION
INFORMATION
Dimensions
- Height: 60 cm / 23.6 in
- Length: 49 cm / 19.3 in
- Depth: 48 cm / 18.9 in
Configurations
- Included: Light Yagami figure, Ryuk figure (mascot companion), and display base
- Base: Sculpted hellfire diorama base with integrated dual-mode LED — breathing pulse and steady-on modes
- Accessory: Death Note prop visible on Ryuk’s person, sculpted with cross-and-skull cover detail
Material & Packaging
- Material: PU (polyurethane resin, lightweight and well-suited for fine surface detail) + imported resin (denser casting material used for structural and high-detail components)
- Packaging: Not specified
Other
- Edition Size: 128 pieces
- LED: Dual-mode — breathing pulse / steady-on; integrated into the base
- Estimated Shipment: Q4 2026
VIDEO
CHARACTER ORIGIN
SCENE NOTES
The title “New World” points directly to Kira’s declared ideal — the purged utopia Light believed he was building, with himself as its god. The weight of that delusion is exactly what makes the pairing with Ryuk so loaded: Ryuk was never an ally, only a spectator waiting for the ending he always knew was coming. Dreammaker Studio frames this tension through scale and positioning — Light stands forward, calm and sovereign, while Ryuk’s enormous wingspan arches over and around him like a trap already closed, the shinigami’s apple-clutching hand and skull-ringed fingers rendered with close-up precision that rewards direct inspection. The cathedral-arch base, rising skulls, and pulsing red LED beneath Light’s feet recast his “new world” as something closer to a throne built over a mass grave — the piece’s visual argument lands without a single line of dialogue.
