Hi! Monsters, Bye! My Childhood Vol. 01 Pigmon & Kanegon & Taishoh

Price range: $89.0 through $259.0

☀ Up To 2,590 Life Value Crystals With This Purchase.
ABOUT

Three of the Showa Ultraman era’s most beloved kaiju — Pigmon, Kanegon, and Taishoh — reimagined in KAIJUUTANDO Studio’s chibi format, each limited to just 99 hand-painted pieces. Uncle Monster’s brushwork preserves every wrinkle, coin-slot grin, and spiny texture at a scale that fits your shelf without losing an ounce of personality. For collectors who grew up with these monsters, this is nostalgia rendered in polystone and PU — precise, personal, and quietly irreplaceable.

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DIMENSIONS

  • Height: approximately 17–20 cm (6.7–7.9 in) — varies per character

CONFIGURATIONS

  • Three individual chibi-style figures available as separate releases: Pigmon, Kanegon, and Taishoh
  • Each figure includes a dedicated character nameplate base styled as a miniature urban signboard — the weathered paint and hand-lettered kanji on each base reinforce the retro tokusatsu atmosphere
  • Miniature cityscape building props visible in photography; inclusion with purchase not confirmed in provided details

MATERIAL & PACKAGING

  • Material: Imported PU (polyurethane) and Polystone composite
  • Each piece is hand-painted by an individual studio painter in small batches; what you see in the prototype photography reflects the production standard

OTHER

  • Edition size: 99 units per character
  • Estimated shipment: Q1 2026

Pigmon, Kanegon, and Taishoh are beloved kaiju from Tsuburaya Productions’ landmark 1966 tokusatsu series Ultraman. Pigmon — small, crimson, and oddly endearing — became one of the franchise’s most iconic gentle monsters, remembered for its surprisingly emotional appearances alongside the Science Patrol. Kanegon, the coin-hungry creature from Ultra Q, and Taishoh carry that same spirit of early Showa-era monster design: creatures that were as much characters as they were threats, etched into the childhood memories of generations of fans. KAIJUUTANDO’s chibi interpretations lean directly into that nostalgia, translating the rough, tactile suit textures of the original props into compact sculptural form.

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