Hi! Monsters, Bye! My Childhood Vol. 01 Pigmon & Kanegon & Taishoh
Price range: $89.00 through $259.00
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INFORMATION
DIMENSIONS
- Height: approximately 17–20 cm (6.7–7.9 in) — varies per character
CONFIGURATIONS
- Three individual chibi-style figures available as separate releases: Pigmon, Kanegon, and Taishoh
- Each figure includes a dedicated character nameplate base styled as a miniature urban signboard — the weathered paint and hand-lettered kanji on each base reinforce the retro tokusatsu atmosphere
- Miniature cityscape building props visible in photography; inclusion with purchase not confirmed in provided details
MATERIAL & PACKAGING
- Material: Imported PU (polyurethane) and Polystone composite
- Each piece is hand-painted by an individual studio painter in small batches; what you see in the prototype photography reflects the production standard
OTHER
- Edition size: 99 units per character
- Estimated shipment: Q1 2026
VIDEO
ABOUT
Three of the Showa Ultraman era’s most beloved kaiju — Pigmon, Kanegon, and Taishoh — reimagined in KAIJUUTANDO Studio’s chibi format, each limited to just 99 hand-painted pieces. Uncle Monster’s brushwork preserves every wrinkle, coin-slot grin, and spiny texture at a scale that fits your shelf without losing an ounce of personality. For collectors who grew up with these monsters, this is nostalgia rendered in polystone and PU — precise, personal, and quietly irreplaceable.
CHARACTER ORIGIN
Pigmon, Kanegon, and Taishoh are beloved kaiju from Tsuburaya Productions' landmark 1966 tokusatsu series Ultraman. Pigmon — small, crimson, and oddly endearing — became one of the franchise's most iconic gentle monsters, remembered for its surprisingly emotional appearances alongside the Science Patrol. Kanegon, the coin-hungry creature from Ultra Q, and Taishoh carry that same spirit of early Showa-era monster design: creatures that were as much characters as they were threats, etched into the childhood memories of generations of fans. KAIJUUTANDO's chibi interpretations lean directly into that nostalgia, translating the rough, tactile suit textures of the original props into compact sculptural form.
