Mecha Girl Asuka Langley Soryu
Price range: $229.00 through $339.00
Character: Neon Genesis Evangelion · Asuka Langley Soryu
Product Status: Pre-Order · Estimated to ship Q3 - 2026
Rewards: Up To Earn 3,390 Crystals With This Purchase. Learn More
Shipping: Billed after arrival based on packed size and destination. Learn More
INFORMATION
INFORMATION
Dimensions
- Not specified — available in 1/6 scale and 1/4 scale; exact measurements were not provided
Configurations
- Standard (both scales): Asuka Langley Soryu figure with Eva Unit-02 head base
- Early Bird Bonus: Chibi Asuka head bonus item included with Early Bird pre-orders
Material & Packaging
- Material: Imported resin + PU composite (a resin-polyurethane blend used for fine surface detail and structural durability)
- Finish: Hand-painted individually per unit
- Packaging: Not specified
Other
- Available Scales: 1/6 and 1/4 (dual-scale release)
- Estimated Shipment: Q3 2026
- Studio: NightWing Studio
VIDEO
ABOUT
NightWing Studio’s Mecha Girl Asuka Langley Soryu is an original mecha musume interpretation that fuses Asuka’s iconic red plug suit with fragmented Eva Unit-02 armor plating, posed with quiet dominance over a defeated Unit-02 head sculpted into the base. Available in both 1/6 and 1/4 scale, the piece is built from an imported resin and PU composite and finished with hand-applied paint on every individual unit. Two scales, one design language — this is the kind of dual-release that lets you decide how much shelf real estate the piece deserves.
CHARACTER ORIGIN
This is NightWing Studio's original mecha musume interpretation of Asuka Langley Soryu — not a direct scene pull, but a design concept that distills her identity down to its core tension: the pilot and the machine as one. The fragmented Eva Unit-02 armor integrated into her costume reads as both uniform and wreckage, and the Unit-02 head base beneath her bare feet frames her as something that has already won. NightWing Studio leans into the contradiction that defines the character — composed posture, weapon in hand, standing over the very thing that defines her — letting the sculptural relationship between figure and base carry the emotional weight rather than relying on a single dramatic gesture.
