Initial Tailed Beast Chakra Mode Naruto Uzumaki
$339.00
Character: Naruto · Naruto Uzumaki
Product Status: Pre-Order · Estimated to ship TBD
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INFORMATION
Dimensions
- Height: 31 cm / 12.2 in
- Width: 32 cm / 12.6 in
- Depth: 32 cm / 12.6 in
- Weight: Not specified
Configurations
- Standard: Naruto Uzumaki figure in initial Nine-Tails chakra state with Nine-Tails chakra-wrapped Rasengan hand — the default combat pose
- Water-splash base — Valley of the End setting
- DLC / Upgrade Kit (sold separately): Rasengan replacement hand + Nine-Tails chakra claw feet — enables full beast-mode display
Material & Packaging
- Materials: Not specified
- Packaging: Not specified
Other
- Scale: 1/6
- Studio: ShuangSheng Studio
- Edition Size: 68
VIDEO
ABOUT
This is ShuangSheng Studio’s first entry in their “Resonance” series: Naruto Uzumaki at the Valley of the End, surging forward in his initial Nine-Tails chakra state, the fox’s fiery mantle erupting around him in translucent amber and deep orange resin. At 1/6 scale, the piece measures 31 × 32 × 32 cm, and the layered chakra flame work — wrapping from the water-splash base up through the outstretched clawed arms — is the clear centerpiece of the sculpt. An edition of 68 makes this one of the tighter runs ShuangSheng has put out, and the included DLC upgrade kit adds meaningful display flexibility for collectors who want the full battle configuration.
CHARACTER ORIGIN
This is the moment Naruto refuses to let the bond break — charging through the falls at the Valley of the End not to win a fight, but to drag his best friend back from the edge. That desperation, backed by the Nine-Tails' raw chakra flooding his body for the first time in open combat, is what gives the scene its weight in the series. ShuangSheng reads the moment as pure forward momentum: the body leans hard into the charge, red eyes locked ahead, the fox's chakra mantle flaring outward like a second skin that hasn't fully learned to obey him yet. The cracked wooden debris at the base and the churning water beneath anchor the geography without overpowering the figure itself.
